The Art House America blog just published an essay I wrote on The Prophetic Imagination of Bruce Springsteen, my attempt to treat Walter Brueggemann and Wendell Berry as conversation partners with Bruce Springsteen’s newest album.

The first time I heard Wrecking Ball, the new record from Bruce Springsteen, I was driving through the middle of Kentucky on winding country roads, windows down, stereo cranked all the way up, wind whistling through my hair. I was on my way to the Abbey of Gethsemani — where Thomas Merton lived for most of his life — two days after my 30th birthday, looking forward to the time away to read, write, and reflect. With books by Merton (a first-edition copy of his memoir, Seven Storey Mountain, loaned to me by my friend Ian), Walter Brueggemann, and Wendell Berry in my bag as companions for the weekend, I found myself listening to Springsteen’s lyrics through the lens of Brueggemann’s and Berry’s words.
And here are a couple of additional comments, my footnotes to the essay, if you will. Continue reading
Reading the first chapter of Peter Rollins’ new book, Insurrection – which comes out this week; 

When asked my favorite book of 2010, I’m tempted to say, the first 10 pages of Mary Karr’s Lit. The introduction. Nothing more. That’s all I’d read, until a few nights ago.
When I read
For at least the last five years or so, whenever I think to check the “most-played” list in my iTunes, I’m never surprised to see that at least half the songs on the list are by Andy Osenga, many of them listed there because of the late nights where I hit repeat over and over again on a song, needing to hear it just one more time.
My mother’s grandfather, John R. Rice, was an Independent Baptist preacher and evangelist. Although he died fifteen months before I was born, his shadow loomed large over my childhood. My identity came from him, and he was, first and foremost, a Fundamentalist. From a sermon preached in 1928, early in his ministry, “Why I Am a Big F Fundamentalist,” to one of his last books, published in 1975, just five years before his death, “I Am a Fundamentalist,” that remained his most important identifier. With two hundred books and pamphlets to his credit (more than sixty million copies in print) and a biweekly newspaper he edited, the Sword of the Lord, that had a circulation topping out at over three hundred thousand, he was sometimes called “America’s Mightiest Pen.” His role as a principle player in two of the defining moments of 20th century American Fundamentalism – the 1957 split with Billy Graham over his ecumenical New York crusade, the end of a long friendship between the two, and the very public disagreement with Bob Jones, Jr., over the issue of secondary separation in the mid 70’s – cemented his role as an elder statesman of Fundamentalism. At his funeral service, one mentoree of his, Jerry Falwell, called his death the “passing of an era…He was God’s man for the hour. I looked on him as the guardian of fundamentalist truth for this generation. More than any other person, he was the most trusted man in fundamentalism…”